is ‘Andaz Apna Apna’ the funniest film of all time? I asked this very simple
question to two people yesterday hoping that they would give me some perspective
on this Cult classic. Unfortunately I was instead faced with an answer which
sounded more like ‘duh!’ than anything intelligent. “The jokes are kept simple,”
I was told but we all know there is more to this film than just the simplicity. If anything, I have rarely seen such a complicated comedy with so many
sub-plots, memorable characters and brilliantly idiotic dialogues for each
one of them.
|Karishma Kapoor and Raveena Tandon|
The reason I was
wondering so much about this film is because its humour works on a very basal
level and still manages to be funny. With so many ‘comedy’ films today being a headache with their over-the-top sequences, the same is absolutely not
the case here. I often wonder whether the director Raj Kumar Santoshi knew the
ridiculousness he was embarking upon or did it happen by chance. My favourite
example is of course, the costumes. The red cap, jacket and shoe combo of Aamir Khan in the song ‘Do Mastanae’, Karishma Kapoor’s entire wardrobe and of course the
cotton tipped nightcap Aamir wears during the song ‘Yeh Raat Aur Yeh Doori’, are
all so lame, that I am forced to ask as to whether they were a
mistake or deliberate. Maybe I can't imagine someone to be that genius. Nonetheless, it works flawlessly in this story of two
overconfident losers. I guess, Santoshi who wrote and directed the film would
be the only one who would know the answers to these questions.
believe there are two types of actors. The first kind is their
best either in their youth or when older and the second kind is brilliant at any age. Movie stars usually come in the first category, the hindrances
being either stereotyping or inexperience. Why I wrote this is because, what we saw in ‘Andaz Apna Apna’ was the kind of stuff from both
the Khans that is no longer possible. Amar and Prem are characters which were
made believable by their unrestricted performance and sheer disregard for their
images. As an audience we don’t see Aamir Khan or Salman Khan on screen.
Instead we see two people who are completely out-of the-box.
|Aamir Khan and Salman Khan|
Paresh Rawal, on the
other hand comes in the second category of actors and remains my favourite from the film.
His take on the criminal with Hen farming ambitions, Teja, is so completely brilliant
and distinct from his role as the control freak Ram Gopal Bajaj that I wish
that a whole film would be dedicated to the story of the two brothers. That is
a film waiting to be seen and would find an audience any day. One of the
recurring joys of watching the film is watching Teja, interact with Robert and
Bhalla frustrated over their failed attempts to murder the heiress Raveena. Santoshi
who co-wrote the dialogues with Dilip Shukla, managed to give each character a
distinct voice though them. Sample two of my favourite ones below:
“Amar aur Prem…Amar Prem, Pavitri
aur Bhaktiras se bharpoor. Naam sunte hi mughe andaaz aa gaya tha ki tum filmi
aur aawara kisam ke ladke ho. But now, tum to nikamme aur nithale bhi ho. And well,
shakal se toh jahil aur moorkh dikte hi ho. And of course, apne aap ko awwal
darje ke bewakoof sabit kar chuke jab yeh soonch ke aaye the ki meri beti ki
shaadi mein tumhare saath kar doonga.” – Ram Gopal Bajaj.
“Hazaaron murgiyan, jo lakhon ande dengi. Lakhon andon se croron murgiyan
aur unke kai crore ande. Aur arboon omlette. Woh khaane ke liye bread bhi mein
doonga. Mein bakery bhi kholoonga. Bread ka Badshah aur Omelette ka Raja.
Bajaj. Humara Bajaj.” – Teja.
While Aamir Khan (Amar)
and Salman Khan (Prem) were the leading buffoons in this film, it belongs to as
much to Karishma Kapoor and Raveena Tandon (Karishma/Raveena), Paresh Rawal
(Teja/Ram Gopal Bajaj), Viju Khote (Robert), Shehzad Khan (Bhalla) and Shakti
Kapoor (Crime Master Gogo). Even the 2 minute bits done by Jagdeep and Deven
Verma as Prem and Amar's fathers, Mehmood as Johnny from Wah-Wah Productions, Javed
Khan as Anand Akela, Tiku Talsania as the Inspector, Harish Patel as Seva Ram
ji from the guest house and Juhi Chawla and Govinda as themselves are all so
memorable that the film would seem incomplete without them.
|Shakti Kapoor as 'Crime Master Gogo'|
The music by Tushar
Bhatiah is beautiful and though most of the songs are meant to add to the
humour, if you listen to ‘Ye Raat Aur Ye Doori’ or ‘Ello Ello’ on the radio you
can’t help but swoon. And therein lays the brilliance of this film, which was a
box office dud at the time of its release. It is not about the actors or the
music or the dialogues or the locations or the story. It is about all of it. I
have said this before and I would repeat it again, ‘It is not just one thing
that makes a brilliant film but a combination of elements which are unique,
memorable and irreplaceable.’ ‘Andaaz Apna Apna’ is all of that.
Labels: Amazing, Comedy, CRITIC'S PICKS, Hindi